Heads
Once again, heads that are new or in good condition are essential. You should change your
batter heads as needed - when the dent from the beater starts wearing through, it's a good
indication that you are overdue for a head change. Resonant (front) heads need changing
once a year for a solid head, while a ported (with a mic hole cut in it) head should last
twice as long.Your bass drum heads are usually
at a much lower tension than any of your other heads. This has the effect of making the
batter head more prone to denting. Add to this the fact that the beater hits the head in
exactly the same spot every stroke.
Make your heads last
To make your batter heads last longer, you may want to cut out a small circle of
mylar from any old head (an undented one), and glue it to the head at the point the beater
strikes. Use a mild glue like Bostik Clear, a contact or polystyrene glue will eat into
the plastic.
The Hole Truth
A hole in your resonant head changes the resonant frequency of the drum, and
affects how the heads vibrate and how the drum sounds. A drum is designed to operate as a
closed system. Only make a hole in your resonant head if you need to put a mic inside the
drum often, make this hole as small as possible, no larger than 6", and off-center.
Consider having two resonant heads, one ported, one solid and then use the appropriate one
for the gig.
Preparation
Remove the old heads. Clean the hoop and bearing edges, removing dust, stick debris,
and any build-up that is found. Cleaning and polishing should be done now, as there are no
tension rods or hoops in the way. Do not use any liquids.
Fit the heads
Place the head onto the drum and spin it around the bearing edge to ensure clean contact.
Tighten the tension rods until they make contact with the hoop. Do not tune yet. A good
thing to look out for at this point is damaged tension hooks, as they can affect the
tuning of the drum. Replace any faulty hooks immediately.
Batter Tuning
Put the drum flat on the floor. This deadens the resonant head, allowing you to isolate
the batter head. Also with a large drum such as a 22" bass drum this negates the
possible flexing of the drum due to it's weight.
Following the order in the diagram here, begin tensioning by
turning each key rod a quarter turn
at a time, until the lowest possible pitch the head will resonate is reached.
Basically, tune until the head stops "fluttering", but no further (this will be
slightly higher for a single ply head than a double). Tap around the circumference of the
head listening for high and low spots and correct accordingly.
This is as far as you need to tune your batter head. This is
a low pitched drum remember, and to get the low note required needs a very loose tension.
Tighter, and the drum will click more, but be unable to produce as low a note. Looser and
it cannot produce the note at all.
Resonant Head
If you tune the resonant head in the same fashion as the batter you will
either have a similar note (if your batter is also single ply), or slightly higher (if the
batter is a twin ply). With both heads tuned identical, the drum will "boom"
more, with a longer sustain, and be slightly louder. With the two heads each tuned to a
slightly different note, the drum will have a "tighter", more controlled sound.
And Finally...
Place the drum upright, in the playing position and check the tuning. Thinner
shelled drums will often go out of tune now (due to the drum flexing from the weight of
itself), so make sure to adjust again in this position. |